on a mission records is the new label runned by jef k and rhythm&soul. focused on keeping alive the spirit of house music that inspires their own musical background. the first release comes with their project: the groove brothers. a classic flavoured house package that shows the label identity. the a side starts with -soul food café-. a strong 4x4 beat, house chords, some vocal hits and catchy piano melody. an everlasting groove. -everyday- is a track made to shake girls on the dancefloor. a funky bassline and a r n b vocal sample that slowly goes warmer and warmer. a summer tune that shows that both producers really like it when things goes sexy. on the b side a remix of -soul food café- by nottingham house legend, nail. a powefull remix that brings his extraordinary touch. floating chords a boundless groovy pad and a pumpy bassline that drives the original track into a timeless uk house anthem.

this 5th release consists of three tracks made by the twin duo manic brothers, one edited by petter b. they have during their relativity short career proven themselves as worthy keepers of the swedish techno heritage with big releases on drumcode a.o. what they bring to bond on this release is their signature big room sound but with a much more simplified approach than previously heard. on the a-side there are two great tool tracks with lots of space for creative interpretation for a dj. on the flip there are a long and epic track with a massive vocal breakdown. groove based but yet with a big and strong hook.

a few trips in tel aviv made ivan smagghe aware of the extensive and more importantly, quasi forgotten, wave and pop scene from israel. blown away some of the tracks passed on to him, he and the ginger prince thought it would be a good start for the lddlm reissues series, edits and originals.

eyes lost in depth, arms rub against each other building connexions made to maintain cordial relationships between individuals. nexus based on rules widely accepted and, above all, the recognition and respect. music as nexus.

at its very first start, the new label founded by conrad van orton proposes a vinyl of his own with two original tracks on the a side, november and captivity archives. and two great remixers such as vsk and the mysterious annuled user on the other. just as the needle starts to mark the passage, the classic four quarters give life to a beat that between one step and another compresses catapulting reality in a classic industrial scenario of mid-autumn where the clear sky gets marked by black and deep plots. a background noise accompanies the whole programming part of the drumming that gives off a relentless pace. on the a side captivity archives reconfirms the industrial nature of cvo with a look towards distant galaxies ..... with the needle still hot we turn around the record to the b side. here we find the vsk remix with a more ambient and crystal clear sound. to the original drum, vsk, choose an equally technical percussion. all home made. last but not least the contribution given by annulled user. trademark? techno! .. and there is nothing here to mess about with. 4/4 dry, hard which feel anger and rebellion desire. the kick, fairly present, is ripped apart by some demonic filters. the 5.30 min of annulled user are a reminiscence of the 90s.

a1 - gettindown: a nice rework of funky space reincarnation made for the floor, b1 - a proper tribute to one of stevies greatest. b2 - killer rework of a warehouse classic.

as headman gears up to release his sixth album it appears he is having something of an identity crisis... is he headman? or is he, as his mother named him, robi insinna? either way, he is one of disco s most daring of producers and, monikers aside, anything he releases is well worth your attention. especially this first sampler from the album 6. a collaborative affair, each track sees him teaming up with kindred spirits and friends to forge new groove paths and re-position old references. -work- takes a kraftwerkian recipe and stretches it like a well made pizza dough, -barbarism- dusts off the cosmic guitars for an enlightened star-gazing session, -der- sits happily between black strobe and jeff wayne while -sleep red- cruises towards dfa city limits in a cowbell escalade. each one of them will have you hankering for the album. guaranteed.

this is brothers and sisters, a summary of the sound of mister saturday night records to date. the album brings together all the artists who’ve released on the label – alex burkat, anthony naples, archie pelago, boya, dark sky, general ludd, gunnar haslam, hank jackson, keita sano and lumigraph – combining music made specifically for this record and tracks that have until now only been available on vinyl. (a special triple vinyl edition of all the unreleased tracks is being released in conjunction with the cd.)

the debut album by synthek & audiolouis can be seen like a precious gathering of different approaches to techno, made in order to create a meaningful and elaborate piece of work. the opening tracks miasma and intro:spection are just a glimpse into the atmospheres which costantly surround the whole album. strong rhythmics and overwhelming soundscapes never abandon the ears, modulating intensity and brightness along the journey through a sea full of dark acid waves. unwise is a bold sequence of powerful tracks devotedly written for the dancefloor, but still keeps a certain emotional aspect made of few melodic detroit-rooted cuts, standing as a tribute to the authors primary inspirations.

editions mego is proud to present the first recordings by edvard graham lewis released this century. having made his name in legendary punk/experimental outfits wire, dome and he said lewis has developed an exceptional voice with ceaseless exploration of a wide variety of musical forms.

the sequel to part i, just as insane and sinister! after more than 15 years back on vinyl, perhaps unit moebius darkest stuff ever made! the kuiken album project originally was released on the experimental hardcore label crossfade entertainment in 1994. now back on the motherlabel bunker who is doing a small re-run of this killer releass (which comes in 2 parts

after more than 15 years back on vinyl, perhaps unit moebius darkest stuff ever made! the kuiken album project originally was released on the experimental hardcore label crossfade entertainment in 1994. now back on the motherlabel bunker who is doing a small re-run of this killer releass (which comes in 2 parts)

when leeds duo galaxians formed in 2012, their mission was clear, to bring back beat, and at a breakneck pace, including releases on rotating souls (atlanta) and leedss own stargaze, plus stages shared with the likes of tom tom club, golden teacher, zombie zombie, and ultramagnetic mcs, galaxians are here to bring back visceral funk. with their latest release on brooklyns dither down records, galaxians have found the perfect home for a duo inspired by nyc boogie labels like west end and sam. giving them the perfect opportunity to showcase the sounds that have made them such a hit with festival crowds. it is their inherent love of nycs hard attack, that makes the bounce of ducket$z through the slippery glide of skydive all the more visceral and exciting. say hello to your new favorite gang of two, galaxians.

in times where a rave feels pretty much like a funfair, the chairoplane is still the nicest ride. thinking of kettenkarussell some might remember one of those gathered moments in a low summer night under the clear sky when things made sense for a while. but those memories fade away quite fast or seem really strange a few years later on youtube. so what is it that is left behind? after 10 years of collaboration the couple decided to do an album that might challenge the comfort zone of those who try to keep up that easy living. its a record full of holes. and still this is what keeps them together. in pain we trust... and yes i believe you and me will make love forever...

back by demand! valuable remastered reissue of this rare 5 tracks mini-album by the two talented young producers: lazare hoche & malin genie. groundbreaking house tracks, highly recommended.

knee deep in sound s debut release comes from daley himself. don t touch the alarm embodies the vibe dancefloors across the globe yearn for that he never fails to provide, epitomising the sound that has made hot since 82 the hot property he is today. the remix comes from pioneering producers booka shade who work their magic on the track. the first release is a clear example that, in an industry where labels are not hard to come by, daley continues to claim his place at the forefront of electronic music. the label will give us an insight into daley s production process as the knee deep in sound imprint sees daley take full creative control.

mike parker is next to release on deep sound channel - a sub label of the dutch shipwrec imprint - and as ever the two tracks he offers up are made of twisted analogue frequencies that work their way into your brain.

following their ongoing relationship with soma records, ukrainian duo woo york are set to release their new record that proves to be somewhat representative of recent dramatic events in their country. entitled i am against, both the main track and the ep itself are referring to the developments that lead to revolutionary struggle of the ukrainian people. fighting inequality, saying what you have to say and doing what you have to do seem to be the core ideas of the record. you might have figured that out yourself by spotting a rebel protester from january’s clash with riot police depicted on the record sleeve. the ep also features a special remix from uk techno producer, Ø phase. music-wise the ep presents the same idea: the epic energy of the title track highlights the drive that was fuelling peaceful individuals to go out onto the streets and fight for their rights. an excellent remix from Ø phase follows a similar path, although in its own original way that has made the uk-based artist’s name associated with the finest techno to date. closing the ep ‘in the end’ is a more abstract side of woo york’s music works that reminds us once again: every single act of violence is bound to come to an end at some point.

limited to 300 hand numbered copies on white vinyl. ct-his second release is made of a brilliant 4 tracks ep enriched with detroit boogie, future beats and bouncy house flavours.

with their cinematic music and john carpenters cover albums, we wondered when a real soundtrack by zombie zombie is going to be out? well, here it is now , the two zombies cosmic neman and etienne jaumet finally sign their first film music for the first feature film from director , narimane mari, loubia hamra (bloody beans), to be released in spring 2014. and we found them there, where we do not expect, because it s not a horror movie, but a free movie, a journey of a group of children from a district of algiers during the war of algeria, who becomes aware of life and death.director narimane mari talks about her experience with zombie zombie and creation of the soundtrack for her movie:-i really wanted the music to be as blood flow of images and that is what it is. sharp, dull, full of strange noises, inner or surging, harmonious or disturbed by noise disorder, which allows to read beyond the visual narrative. we are in the bowels of childhood and it shakes us up when we let our-selves be takeover by the living: the profusion. i didn’t want to make a movie where psychology and reason rule and dominate until our senses are weakened, but a movie that we experience with the body and it is them who made it possible, this total immersion.

mysterious, dark and droning techno monster made by > the planets <. marvellous and reduced 4 tracker with a special edit by paul mac. handstamped vinyl only release.

the much loved and mysterious r-zone series rolls on here with another new ep, this time made up of three more moody and atmospheric cuts

drug machine inc. 004 comes along with the amazing masterpiece -devils books-, made by theukraine artist positive merge (9volt, gynoid). incl. remixes by ghettomania star dj duncan andsolid rushs mastermind ascon bates

belgiums thomas moon has made his own sound in electronic music. playing in his career in more than 15 countries in 5 different projects, he now produced for the first time a solo album with his new project.

eddie c is known for his work with endless flight, jiscomusic, red motorbike, 7 inch of love and and and. lumberjacks head honcho marcel vogel is happy to welcome him after wrecking many a party together. get it together already found its way into marcel s boiler room set. and what it is was rescued from a batch of neglected older tracks that eddie had made early on in his carrer but is actually a stone cold banger that s tearing apart every dancefloor.

second release of the gost zvuk label, strictly focused on the contemporary russian electronic scene. this joint was made by aem rhythm-cascade also known as dada ques and many other monikers. locked in his studio in st. pete he built his path from a beatmaker to a fundamental composer exploring the acoustics, sound synthesis and sampling techniques. it is hard to relate this music to a certain genre, but you can definitely hear the quality and deepness, spiced with the original slavic touch. simple and raw these multilayered symphonies bring out the new breed of russian composers backed up by their prolific heritage.

koko edits #4 on basic fingers, yes it is true. needing little introduction to any basic fingers fan koko has made his way from splicing and dicing since the first release back in 2011.

once again, the sunkissed camp get it spot on with this loud-pressed 12 inch collection of balearic classics from brazilian songstress astrud gilberto. opens with the original version of mesmerising dancer *black magic*, a great dj weapon that got the tangoterje edit seal of approval a few years back. followed by balearic favourite *beginnings*, a jazzy take on chicago s classic hit which spins out into eight minutes of sensual bliss. turn over for big daniel wang play, the obscure lp track *all i ve got*, a glorious low-slung floor-filling gem produced by none other than salsoul orchestra founder vince montana who also supplies the sublime disco version of the song that made astrud a household name *the girl from ipanema*. lastly comes her cool and breezy version of the bossanova jazz standard *agua de beber*. beautiful stuff.

laura jones is a rare specimen, a producer who puts her heart and soul into every production. the few key releases she has made for crosstown rebels, visionquest and leftroom have become instant anthems and shot her into stardom. embrace sees a return to leftroom and to form for laura with new exploration into darker techno underworlds with think over and imagination unreal, illustrating the complexity and breadth of jones as a producer.

from the executive producer chez damier come a special edition release marking the 20th anniversary of balance and prescription records. side a. the mission: lavida (life) is a project and group from switzerland that was produce by chez damier and italian producer demetrio giannice, the track is deep with choped vocals of chez and chaka khan, very chord driven with a jazzy feel as the break of the track. a2. is a young group of french producers from paris called siler & dima , thomas zander with track called: inappropriate, a deep driven track with spoken words , more minimal and was inspired by some of ron and chez early works, this is for sure new school and very club friendly. side b is a remastered version of the rare prescription underground mix of ron trent and chez damier s classic --the choice-- this is one of the dance classics that helped shaped a new underground sound for the club, with ripping synth, raw snares and high strings, this 20 year old track hold up as well as a track made today.

incl dont you want me !phil oakey and philip adrian wright the only original human league band members are joined by ian burden and jo callis on synthesizers and joanne catherall and susanne sulley on vocals for the bands third album on virgin records, *dare* released in october 1981. after three hit singles, *the sound of the crowd*, *love action* and *open your heart* the band released the final single from the album *dont you want me* which went to number 1 around the world and made *dare* one of the biggest selling albums of the year.
pressing on 180 gram heavyweight vinyl, housed in gatefold sleeve

luckyme are very proud to present the ‘rosario ep from s-type.s-types rise started in spring 2012. emerging, gleaming and show-stopping from rustie’s seminal bbc essential mix was a track called ‘billboard’ from a new producer that was part of the luckyme family as far back as his teenage years. the track had soundcloud and blog commentators looking around for the hugest most galactic superlatives for this ‘superhero’ music. as skyscraping as the biggest us hip hop instrumentals but born of the ferment of glasgow’s world-wowing club world, it made it into end of year ‘best of’ polls as well as the dj sets of rustie, tnght,and benji b. s-type aka 27 yo scot bobby perman started getting recognised down the shops glasgow. he was catapulted onto a 30 + date us tour and found himself in the studio with kindred spirits araabmuzik and baauer. there were rumours of national electronic goods adverts in south korea and s-type tracks in the running for inclusion on drakes nothing was the same album. on 19th sept 2013, the buzz started all over again as luckyme family member Éclair fifi dropped a new s-type tune ‘rosario’ on her bbc radio 1 in new djs we trust show. now luckyme can announce the wait is over. lm017 aka s-type’s ‘rosario’ ep is coming out on 16/6/2014. ‘rosario’ sets the scene with a 2 min intro called ‘outside (inside)’, featuring rustie and yc the cynic, a rapper from hunts pont, the bronx that xxl called ‘one of the most promising artists in recent years’, the complex wordplay sounding perfect over bobby’s wide screen arrangement. ‘franco’ is a fierce club banger with plenty of his signature chord work. ‘lost girls’ stunts and fizzes in the way only an s-type track can. for the outro ‘inside (outro)’, bobby’s sweeping instrumental sets the scene for long island mc (and one time flipmode squad member) roc marciano, who sharply describes the beat as ‘historic’. s-type addicts, he’s back. early dj support from hudmo, kode 9, baauer, joker, rl grime and jackmaster.

leao is the house alter ego of respected tech producer robotneedsoil. here he supplies two killer house tracks that are given the remix treatment by two of the industries current favourites, kindimmer & jacob b. the ep lifts off with the original mix of drop that and wastes no time getting down to business. tough beats and throbbing bass meets cool stabs and vocal stabs urging you to -take your body back-. the jacob b remix of the same track is ruthless. taking no prisoners with a sub heavy mix that never veers from dance floor destruction. the b-side kicks off with leao s second original offering. this is house with heavy footwear. something more stomps, elbows and swings it s way through an intricately placed web of percussion. kindimmer s alien remix subtly uses elements of the original while at the same time segueing into new territory. its deep and eerie, soulful and moody. all the things that have made the berlin based greek one of the most sought after remixers in europe

the name of his track is called saxojazzy, as you can imagine it has some influences of saxophone with groovy and sexy beats followed by a tight synth. overall a very impressive creation made by lui young.

enzino is back with the 5th release. 4 tracks in between house and neo disco. tracks made for the dancefloor. in japan they go crazy with this bombs! limited vinyl only release. no repress!

mystical and proper techno! -marbacka- is a song originally written and composed by marbacka for one of their side projects, -the marbacka side project-. it was later made famous by another recording artist, who covered the song and released it as the second single from hen second studio album. however, not until this artist recorded and produced the version along with $ it become a worldwide hit. a music video, which has been described as iconic, was shot and received heavy rotation. its feelings explore an abandoned lover s point of view. on this special edition -marbacka- is surrounded by previously unreleased material and reworks.

limited edition to 200 copies only
dark and trippy sounds on a label straight from berlin… in the dark again brings out music between acid, new wave/ minimal wave and psychedelic techno and dub. made for the very special moments on the floor.... support from lauren garnier, steven tang, luke solomon,

hailing from sunny los angeles, plastic love records kicks off our first release with an ep from label co-boss jimmy maheras. maheras made his debut in 2011 with his space jam ep on the crosstown rebels edit sub-label, rebellion. since then he s released remixes and singles on strainjjur, riff raff, supernature, and left d. maheras s two original tracks showcase his depth with the man from another place being squarely aimed at the big room dance floor and the second track, arecibo, bringing a little kraftwerkesque funk. we ve commissioned timothy j fairplay (crimes of the future) and cottam (aus music / ruff draft) for two very unique remixes. fairplay crunches down the original melody and throws it over the famed amen break to give tmfap a hands in air late night feel while cottam s remix brings the dreamy melody closer to acid with storming late night kick ready to knock down a wall.

there is a common thread that runs through all of brandt brauer fricks music. it is this: interesting things happen at the interface of machine and hand-made music. the berlin trios 2010 album, *you make me real*, fused techno and classical. the 2011 follow-up, *mr machine*, saw them go the whole classical-meets-club hog with a ten-piece ensemble playing dance music live. then, earlier this year, came *miami*, a darker, more song-based collection exploring the same man-machine ideas. the berlin trios instalment of the dj-kicks series does the same thing with a mix.
the double vinyl comes in gatefold sleeve and includes the dj kicks mix-cd.

in 1988 krs one made the poignant declaration of never trusting a big butt and a smile on boogie down productions song *jimmy*. truer words have never been spoken. fast forward 2 years later, bell biv devoe are smashing the charts (urban to pop) with their debut single *poison*, and in taking krss words of wisdom the exact phrase - never trusting a big butt and a smile has a major part of the chorus. the world over was singing it.

the last few years have seen chicago footwork rise to international success, and traxmans debut album - *the mind of traxman* on planet mu - played no small part in that. it showcased cornelius fergusons brilliant ability to synthesise the beat digging of classic hip hop with the high-speed abstraction of footworks house-derived beat science. the selection of tracks on this second chapter show a slightly different take on traxman s abilities. instead of bringing in concepts from other genres, he simply creates a wider variety of footwork, made with a minimal, reduced palette. often just one or two samples are selected and diced into brain-blurring cubist puzzles that bear little relation to their original sources, or anything else for that matter.
the double vinyl lp comes with download code.

as ljudverket is a heavily art-influenced label, the second release was made as a part of an sound installation for an exhibition in helsinki. rasmus hedlund & tuomo väänänens 2x12 inch album consists of 80 locked groove loops, 20 on each side. the installation itself holds 4 vinyl players, where every side of the records are represented as a sound source, from where the participators could themselves choose a random loop and thus create their own soundscapes. this is one for the collectors, and no more than 200 copies are being produced.

limited numbered edition of 1000 copies on high quality virgin vinyl, download code included.

for his release on mr bongo we have gone back to the original source - labi siffres classic 1975 release *remember my song*. this is his fifth album and features the vulture , sadie and the devil and i got the, sampled by eminem, jay-z, wu-tang clan, atmosphere, the beatnuts and frankenstein, amongst others. co-produced by derek lawrence and big jim sullivan - a prolific session musician, artist and producer - who also worked with artists such as david bowie, serge gainsbourg and frank zappa. brian bennett of the shadows, chas hodges and dave peacock aka chas n dave also feature on this funk masterpiece from 1975. this lp is reissued in new and improved sleeves (made in japan) and features label designs as per the original 1975 release.

label maker alberto sabatini drops a stellar spring grenade in the form of roboto (we are) on save the black beauty. having featured such renowned artists as fnm and sasse, it was time for sabatini to step into the spotlight with his own production. the introduction was made with his remix for sasses flushing meadows which showed his roots firmly to the italo & early proto house territory. now with roboto, sabatini takes an italo vibe and mixes it with contemporary house elements and creates a joyful, yet sinister late night belter. on the remix tip italian meister fabrizio mammarella who dips the original in disco sprinkles and lets the sun in

population one returns on metroplex. first appearing on juan atkins legendary imprint, way back in 96, and continuing to drop a stream of top notch releases for them ever since - it seems these tracks were made especially with the label in mind. less reduced than his work on his own label, terrence dixon delivers 4 amazing tracks on this firing ep.

we have taken some time with our sixth release, all the happier we are now to present to you the acoustic listening pleasure. the record consists of 3 tracks which jamy wing has made for us. it goes its way very classically in a technoid 4-to-the-floor kind, but with style and taste

on its first release, orioni makes its debut on 12inch with four tracks made in argentina. with jonas kopp, luis ruiz, mental resonance, and matt saderlan. this ep comes packed with four dancefloor weapons: jonas kopp with >mandelbrot<, contributes with a massive pounding rhythm full of atmospheres, with his classic groove based on solid kicks and hypnotic vibes, jonas presents full drum action around the percussion and sequences. for the a2 >triplets< is a track with a catchy 303 bass-line and roland drums programmed by luis ruiz. its acid classic signature comes with the task of bringing back that old school techno sound , whose roots had got lost in time. in the other side, mental resonance: >birth of omega century< has that fresh detroit techno style, and is ready to energize dance-floors with the groove of the 909 and hypnotic synthesizers. at least but not last, matt saderlan with >kids dist days<, destructive, corrosive and distorted letal weapon for acid lovers. no need to check your volume leds, yes, it is that banging. orioni has begun!

supported by: ben klock, speedy j, dubfire, marcel fengler, jonas kopp, peter van hoesen, ilario alicante, slam, maetrik and many more. another production by the turin duo d-vince and sergio pace. already on various releases of their own old and young records, they come back with a new ep. three tracks and one remix made by another italian talent, raffaele attanasio. pure analog sound imprinted by the detroit techno music. three tracks full of groove and powerful energy. the remix has done by raffaele attanasio, already appeared on label as non series, he s done a superb edit with his unmistakable style! old and young is back!